A slightly different post tonight — this drawing is a sneak peek of my new project! Stolen, borrowed or handed down — IStoleThisFromYou.com is a collection of all your precious things and the stories behind them. My most prized possessions are the ones soaked in personal history — a bolt of ikat fabric I whisked away from my grandmother’s dusty armoire in a small Thai fishing town; Chinese coins my grandfather gave me, so old and worn there are actually holes in the metal; and of course, Mom’s bowling shoes, as depicted above.
But yes, there is nothing I love more than hearing these sort of stories from other people. In an over-commodified culture, where way too much emphasis is placed on marketing new things and desiring new things and buying new things and showing off new things — it’s the old, personal relics, the hand-me-downs, the stolen tokens, that actually capture my heart.
This is what I hope to catalog over there, and I will want stories from YOU! But it’s just a soft-launch for now, more details to come over the next few weeks, so stay tuned! (And actually, it’s on Tumblr too, so follow it for the most up-to-date information!)
Hope you all had a lovely weekend, and thank you as always for your kindness, it’s what keeps me going. XXX!
Joan in “Short Order” editorial for US’s Vogue, May 2012. Photographed by Steven Meisel
This is the first of two images I’m going to share with you. This was the result of a creative shoot that myself and Martin decided to collaborate on.
- Model - Heather Webb
- Photographer - Martin Higgs
- Make-Up - Me
- I prepped Heathers face using Embryolisse moisturiser. Then I applied a primer from Loreal – Studio Secrets.
- Next I took my Dinair Airbrush, and I sprayed Alabaster foundation onto Heather’s face, neck and shoulders. I chose this shade, as it’s a few shades lighter than Heather natural skin tone, which was important for this look.
- Using MAC kohl liner in ‘Smolder’, I coloured in her eyelids and using a blending brush, I worked this up to meet the brows. This gave the eyeshadows a base to stick to.
- I took a Matte Black shadow from my BH Cosmetics palette and I pushed that all over the lids, up and into the brow for a dense Black colour. I also ran this colour under the bottom lashes.
- I placed some Scotch tape symmetrically down the cheeks to form two columns in which to spray onto with my airbrush. I got my model to close her eyes, and then I sprayed Black from Dinair’s Fantasy range, from the eyelids, down on to the cheeks to build a gradual fade. Then I peeled away the tape to reveal perfect spray lines.
- Next, I pulled apart some feathers that I purchased from a haberdashery & glued them upright to the brows using my Duo glue. On top of the feathers, I also glued some clear crystals in a line.
- I mixed a little Black eye shadow from MUA Cosmetics, with a clear lip-gloss, and I painted that over the lids and brow bone, to create a glossy grungy appearance to the eyes.
- I lined the lips with a Black kohl pencil from Avon, and using the same mixture of eye shadow and lip-gloss, I filled in the lips.
- Lastly, I lined my models waterline with MAC liner in ‘Smolder’, applied a coat of ‘Zoom’ lash mascara - also by MAC, and then I applied some false lashes by Eylure.
This is the second image from the shoot with myself, Martin and Heather.
- Model - Gina Negus
- Photographer - Martin Higgs
I created this look using my airbrush & fishnet tights.
After applying the foundation base, I placed a strip of Scotch tape down the nose from the top of the forehead. I sprayed the Dinair Fantasy Blue over the outter half of the models lids, then followed up with the Fantasy Purple on the inner half.
Next I got Gina to close her eyes while I stretched out the tights over her forehead. Once I happy with the placement, making sure the pattern of the tights was as straight as it could be, I got Gina to hold the tights in place nice and taught. Then, I loaded up my airbrush with the Blue again, and sprayed straight up from the brows onto the forehead, petering-off towards the centre of the forehead. I did the same with the Purple, tapering at the top to meet the blue.
I removed the tights & Scotch tape to reveal the patterned Blue & Purple print. I then took a peachy pink blush from Avon, and brushed a halo “C” shape from the top of the cheekbones, around the eyes to the temples.
Next, I took a charcoal colour eye shadow from my BH Cosmetics palette, and lightly dusted over the brows. I also followed that colour down the outer sides of the bridge of the nose, just between the eyes to where the Purple spray finished.
I lined Gina’s upper and lower lash-line with MAC Fluidline - ‘BlackTrack’, and filled in her waterline with MAC ‘Smolder’ kohl liner. I applied a small coat of mascara with a disposable wand, and applied some Black and Purple lashes from Eyelur.
Lastly, I mixed a Purple eye shadow with a clear lip-gloss and painted the outer half of Gina’s lips. I repeated that process with a Blue pigment & lip-gloss, to fill in the middle of the lips, this brought the entire look together.
Mimicking the Masters: Henri Cartier-Bresson
Henri Cartier-Bresson was a French photographer who is well-known as the ‘father of modern photojournalism’. He was also one of the pioneer photographers who developed street photography. Learn more techniques from this master photographer.
Via Lomography
A day in the dunes
After taking the boat ride around Abu Dhabi, we loaded into some 4x4’s and headed over to a camel farm while they let air out of the tires. Rolling out from there, we reved up and down sand dunes with a soundtrack of laughs and yelps from the backseat, finally stopping at a campe where we climbed dunes, ate food, smoked hookah and watched some belly dancing. All in a day with Puma here in Abu Dhabi.

























